{"id":40,"date":"2015-02-04T01:38:35","date_gmt":"2015-02-04T01:38:35","guid":{"rendered":"http:\/\/www.artlevine.com\/?page_id=40"},"modified":"2025-03-28T20:06:08","modified_gmt":"2025-03-28T20:06:08","slug":"other-baroque-music-not-bach","status":"publish","type":"page","link":"https:\/\/www.artlevine.com\/?page_id=40","title":{"rendered":"Baroque Music (not Bach)"},"content":{"rendered":"

Herewith, a miscellany of music by a handful of 17th- and 18th-century Baroque composers. The choice was informed by my teaching circumstances, hence the inclusion of solo sonatas which can serve for the study of figured bass, and the Ariadne Music which can connects forward to Bach\u2019s Well-tempered Clavier and back to a tradition of \u201clabyrinthine\u201d compostions in the 16th century, such as Willaert\u2019s chromatic duo and Phinot\u2019s \u201cPater peccavi \/ Quanti mercenarii.\u201d I\u2019ll add to this as and when. Or not.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
Downloads<\/th>\n<\/tr>\n
Corelli. Sonata da Chiesa, Opus 3 #11 – Gminor – mov’t 1<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Corelli. Violin Sonata, Opus V #7 D minor – mov’t 1<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Fischer. Ariadne Musica (1702) – Fugue #1, C major<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Handel. Oboe sonata, op.1 #8. mov’t 1<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Handel. Figured bass exercises from G. F. Handel (1685-1759)<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Handel. Sonata for recorder & continuo, #1, G minor – mov’t 1<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Handel. Sonata for recorder & continuo, #1, G minor – mov’t 1<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Telemann. Fugue #1 – B minor<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Vivaldi. Sonata VI from “Il pastor fido” (1737) – Fuga da capella<\/td>\nclick here<\/a><\/td>\n<\/tr>\n
Vivaldi. Sonata VI from “Il pastor fido” (1737) – Fuga da capella<\/td>\nclick here<\/a><\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Herewith, a miscellany of music by a handful of 17th- and 18th-century Baroque composers. The choice was informed by my teaching circumstances, hence the inclusion of solo sonatas which can serve for the study of figured bass, and the Ariadne Music which can connects forward to Bach\u2019s Well-tempered Clavier and back to a tradition of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-40","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.artlevine.com\/index.php?rest_route=\/wp\/v2\/pages\/40","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artlevine.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artlevine.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artlevine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artlevine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40"}],"version-history":[{"count":8,"href":"https:\/\/www.artlevine.com\/index.php?rest_route=\/wp\/v2\/pages\/40\/revisions"}],"predecessor-version":[{"id":219,"href":"https:\/\/www.artlevine.com\/index.php?rest_route=\/wp\/v2\/pages\/40\/revisions\/219"}],"wp:attachment":[{"href":"https:\/\/www.artlevine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}